It also has optical and electro functions which can be toggled between.
It will adjust your release time depending on the transients of the sound waves traveling through (pretty cool!). The ARC function is a nice automatic release control feature that when enabled changes the release time based on the program data. It gives you control of all the major parameters (attack, threshold, release, ratio), but also has a few functions that give your sound an extra flair of character which can be nice. There are few meters in it which allows it to be very hard to make sound bad. What makes this plugin so great is what it doesn’t do rather than what it does. This compressor though simple packs a huge punch in when trying to control heavy dynamics within a mix. You’ll find a bunch in our sample pack marketplace.Īnother one of my favorite compressors on the list is the RCompressor from the Waves Renaissance bundle. It’s easy to throw this thing on every track that you think needs it, and practice to help familiarize yourself with the different parameters that make compression work. I would definitely recommend this plugin to any novice audio engineer who is first dipping their feet into compression. There is also a section for makeup gain so you can increase your volume once you have compressed your audio.
What makes this compressor useful is that it gives the user control over the attack, threshold, ratio, and release which in return allows you more total control over the compression being done at hand. There are three separate digital meters two for the input and output gains, and one for the gain reduction being done during compression. This is what your basic compressor plugin is generally going to look like, and a very similar interface to the one I learned while I was first learning. The C1 is a great all-around compressor and I use it on everything from basic drum tracks to sub-mixes and group buses. For a more aggressive sound, use a FET compressor.The Waves C1 Compressor is an excellent choice if you’re looking for a more basic looking compressor while still wanting all the essential parameters needed. Optical compressors are the best types of compressors for vocals because of their smooth and transparent qualities. 05 sec to 3.5 seconds, up to 20 seconds in 10:1 opto mode What is the best compressor plugin?Įmpirical Labs Distressor EL8X Analogue Compressor Main Features: Demo in Store The louder the input signal, the brighter the light, and the brighter the light, the more the gain is reduced. In an optical compressor, electricity (from the audio input signal) is converted into light, and the intensity of that light is registered by a sensor which controls the amount of gain reduction. The LA-2A has a frequency dependent attack, with an average attack time of 10 milliseconds.
What ratio is an LA2A?Īlthough the compression position on the compress/limit switch on the LA-2A is considered 4:1, really the ratio will fluctuate depending on the source. Although the compression position on the compress/limit switch on the LA-2A is considered 4:1, really the ratio will fluctuate depending on the source. It is 100% program dependent compression with the el-op design. Manley ELOP+ Dual-channel Tube Compressor/Limiter $ 2,499. This item: Universal Audio Teletronix LA-2A Classic Leveling Amplifier $ 4,299.
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